Coraline lives with her preoccupied parents in part of a huge old house–a house so huge that other people live in it, too… round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers (“We trod the boards, luvvy”) and the mustachioed old man under the roof (“‘The reason you cannot see the mouse circus,’ said the man upstairs, ‘is that the mice are not yet ready and rehearsed.'”) Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored–so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that–sometimes blocked with a wall of bricks–opens up for Coraline into an entirely alternate universe. Now, if you’re thinking fondly of The Lion, the Witch, and the Wardrobe or Alice’s Adventures in Wonderland, you’re on the wrong track. Neil Gaiman’s Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl’s work, it is delicious, (Goodreads).
In this #1 national bestseller, “master storyteller” (Houston Chronicle) Stephen King, writing as Richard Bachman, tells the tale of the contestants of a grueling walking competition where there can only be one winner—the one that survives.
In the near future, when America has become a police state, one hundred boys are selected to enter an annual contest where the winner will be awarded whatever he wants for the rest of his life. Among them is sixteen-year-old Ray Garraty, and he knows the rules—keep a steady walking pace of four miles per hour without stopping. Three warnings and you’re out—permanently, (Goodreads).
Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock and roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice, (Goodreads).
Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the dreamers of the world.
For Every One is just that: for every one. For every one person. For every one dream. But especially for every one kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to dream. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them. All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguish—because just having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith.
A pitch perfect graduation, baby, or love my kid gift, (Goodreads).
Beware of the woods and the dark, dank deep.
He’ll follow you home, and he won’t let you sleep.
Who are the Sawkill Girls?
Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.
Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.
Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.
Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.
Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.
Trevor Noah, one of the comedy world’s fastest-rising stars and host of The Daily Show, tells his wild coming-of-age story during the twilight of apartheid in South Africa and the tumultuous days of freedom that followed. In this Audible Studios production, Noah provides something deeper than traditional memoirists: powerfully funny observations about how farcical political and social systems play out in our lives.
“Nelson Mandela once said, ‘If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.’ He was so right. When you make the effort to speak someone else’s language, even if it’s just basic phrases here and there, you are saying to them, ‘I understand that you have a culture and identity that exists beyond me. I see you as a human being.'” (Trevor Noah)
Attuned to the power of language at a young age – as a means of acceptance and influence in a country divided, then subdivided, into groups at odds with one another – Noah’s raw, personal journey becomes something extraordinary in audio: a true testament to the power of storytelling. With brutal honesty and piercing wit, he forgoes an ordinary reading and, instead, delivers something more intimate, sharing his story with the openness and candor of a close friend. His chameleon-like ability to mimic accents and dialects, to shift effortlessly between languages including English, Xhosa, and Zulu, and to embody characters throughout his childhood – his mother, his gran, his schoolmates, first crushes and infatuations – brings each memory to life in vivid detail. Hearing him directly, you’re reminded of the gift inherent in telling one’s story and having it heard; of connecting with another, and seeing them as a human being.
The stories Noah tells are by turns hilarious, bizarre, tender, dark, and poignant – subsisting on caterpillars during months of extreme poverty, making comically pitiful attempts at teenage romance in a color-obsessed world, thrown into jail as the hapless fall guy for a crime he didn’t commit, thrown by his mother from a speeding car driven by murderous gangsters, and more, (Goodreads).
Hello, hello! Welcome to my last post of 2018! As I reflect on the year I can say that I am SO proud of myself for sticking with most of the goals I set out! I read 55 books this year! This literally never happens so I am SO happy! Especially with reading, I am so happy I was able to stay focused and get more enjoyment out of reading than I have ever done before. This blog is also something I am so grateful to have started this year. Starting Brittany & Her Bookshelf was one of the best decisions I have made this year, and that is thanks to YOU. Below, I have set some more goals that are more specific to reading and blogging. Here’s to a great 2019, and to my followers, Happy New Year!
As 2018 comes to a close I feel that it is only fitting for me to wrap up the year with a good old fashion list of my most memorable books of 2018. I have read 54 books this year so I have a lot to choose from! This list is also in no particular order. I hope you enjoy!
From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today–written as a letter to a friend.
A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie’s letter of response.
Here are fifteen invaluable suggestions–compelling, direct, wryly funny, and perceptive–for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can “allow” women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today, (Goodreads).
Before. Miles “Pudge” Halter is done with his safe life at home. His whole life has been one big non-event, and his obsession with famous last words has only made him crave “the Great Perhaps” even more (Francois Rabelais, poet). He heads off to the sometimes crazy and anything-but-boring world of Culver Creek Boarding School, and his life becomes the opposite of safe. Because down the hall is Alaska Young. The gorgeous, clever, funny, sexy, self-destructive, screwed up, and utterly fascinating Alaska Young. She is an event unto herself. She pulls Pudge into her world, launches him into the Great Perhaps, and steals his heart. Then. . . .
After. Nothing is ever the same, (Goodreads).