Coraline lives with her preoccupied parents in part of a huge old house–a house so huge that other people live in it, too… round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers (“We trod the boards, luvvy”) and the mustachioed old man under the roof (“‘The reason you cannot see the mouse circus,’ said the man upstairs, ‘is that the mice are not yet ready and rehearsed.'”) Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored–so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that–sometimes blocked with a wall of bricks–opens up for Coraline into an entirely alternate universe. Now, if you’re thinking fondly of The Lion, the Witch, and the Wardrobe or Alice’s Adventures in Wonderland, you’re on the wrong track. Neil Gaiman’s Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl’s work, it is delicious, (Goodreads).
In this #1 national bestseller, “master storyteller” (Houston Chronicle) Stephen King, writing as Richard Bachman, tells the tale of the contestants of a grueling walking competition where there can only be one winner—the one that survives.
In the near future, when America has become a police state, one hundred boys are selected to enter an annual contest where the winner will be awarded whatever he wants for the rest of his life. Among them is sixteen-year-old Ray Garraty, and he knows the rules—keep a steady walking pace of four miles per hour without stopping. Three warnings and you’re out—permanently, (Goodreads).
Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock and roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice, (Goodreads).
Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the dreamers of the world.
For Every One is just that: for every one. For every one person. For every one dream. But especially for every one kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to dream. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them. All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguish—because just having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith.
A pitch perfect graduation, baby, or love my kid gift, (Goodreads).
Beware of the woods and the dark, dank deep.
He’ll follow you home, and he won’t let you sleep.
Who are the Sawkill Girls?
Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.
Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.
Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.
Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.
Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.
From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today–written as a letter to a friend.
A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie’s letter of response.
Here are fifteen invaluable suggestions–compelling, direct, wryly funny, and perceptive–for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can “allow” women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today, (Goodreads).
Leah Burke—girl-band drummer, master of deadpan, and Simon Spier’s best friend from the award-winning Simon vs. the Homo Sapiens Agenda—takes center stage in this novel of first love and senior-year angst.
When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. An anomaly in her friend group, she’s the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon.
So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended, (Goodreads).
“On the Other Side of Freedom reveals the mind and motivations of a young man who has risen to the fore of millennial activism through study, discipline, and conviction. His belief in a world that can be made better, one act at a time, powers his narratives and opens up a view on the costs, consequences, and rewards of leading a movement.”–Henry Louis Gates, Jr.
From the internationally recognized civil rights activist/organizer and host of the podcast Pod Save the People, a meditation on resistance, justice, and freedom, and an intimate portrait of a movement from the front lines.
In August of 2014, twenty-nine-year-old activist DeRay Mckesson stood with hundreds of others on the streets of Ferguson, Missouri, to push a message of justice and accountability. These protests, and others like them in cities across the country, resulted in the birth of the Black Lives Matter movement. Now, in his first book, Mckesson lays out the intellectual, pragmatic political framework for a new liberation movement. Continuing a conversation about activism, resistance, and justice that embraces our nation’s complex history, he dissects how deliberate oppression persists, how racial injustice strips our lives of promise, and how technology has added a new dimension to mass action and social change. He argues that our best efforts to combat injustice have been stunted by the belief that racism’s wounds are history, and suggests that intellectual purity has curtailed optimistic realism. The book offers a new framework and language for understanding the nature of oppression. With it, we can begin charting a course to dismantle the obvious and subtle structures that limit freedom.
Honest, courageous, and imaginative, On the Other Side of Freedom is a work brimming with hope. Drawing from his own experiences as an activist, organizer, educator, and public official, Mckesson exhorts all Americans to work to dismantle the legacy of racism and to imagine the best of what is possible. Honoring the voices of a new generation of activists, On the Other Side of Freedom is a visionary’s call to take responsibility for imagining, and then building, the world we want to live in, (Goodreads).
Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.
But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meagre clues to find him.
When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late, (Goodreads).
Thou shalt kill.
A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.
Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own, (Goodreads).